Filed under: Iran

Zia was from Iran.
The Iranian Revolution (also known as the Islamic Revolution, Persian: انقلاب اسلامی, Enghelābe Eslāmi) was the revolution that transformed Iran from a monarchy under Shah Mohammad Reza Pahlavi to an Islamic republic under Ayatollah Ruhollah Khomeini, the leader of the revolution and founder of the Islamic Republic. It has been called “the third great revolution in history,” following the French and Bolshevik revolutions, and an event that “made Islamic fundamentalism a political force… from Morocco to Malaysia”.
Although some might argue that the revolution is still ongoing, its time span can be said to have begun in January 1978 with the first major demonstrations to overthrow the Shah, and concluded with the approval of the new theocratic Constitution – whereby Khomeini became Supreme Leader of the country – in December 1979. In between, Mohammad Reza Pahlavi fled Iran in January 1979 after strikes and demonstrations paralyzed the country, and on February 1, 1979 Ayatollah Khomeini returned to Tehran to a greeting by several million Iranians. The final collapse of the Pahlavi dynasty occurred shortly after on February 11 when Iran’s military declared itself “neutral” after guerrillas and rebel troops overwhelmed troops loyal to the Shah in armed street fighting. Iran officially became an Islamic Republic on April 1, 1979 when Iranians overwhelmingly approved a national referendum to make it so.
The revolution was unique for the surprise it created throughout the world: it lacked many of the customary causes of revolution – defeat at war, a financial crisis, peasant rebellion, or disgruntled military; produced profound change at great speed; overthrew a regime thought to be heavily protected by a lavishly financed army and security services;and replaced an ancient monarchy with a theocracy based on Guardianship of the Islamic Jurists (or velayat-e faqih). Its outcome – an Islamic Republic “under the guidance of an 80-year-old exiled religious scholar from Qom” – was, as one scholar put it, “clearly an occurrence that had to be explained…”
Not so unique but more intense is the dispute over the revolution’s results. For some it was an era of heroism and sacrifice that brought forth nothing less than the nucleus of a world Islamic state – “a perfect model of splendid, humane, and divine life… for all the peoples of the world”. At the other extreme, disillusioned Iranians explain the revolution as a time when “for a few years we all lost our minds”, and as a system that, “promised us heaven, but… created a hell on earth”.
Pop music in Iran started as early as the 1950s, and is generally credited to Vigen Derderian, who was known as the “Sultan of pop”. His popularity coincided with the emergence of a new, Western-influenced middle class. By the early 70’s, using indigenous instruments and forms and adding electric guitar as well as other Western influences, artists such as Googoosh and Mehr Pooya rose to popularity. The Golden Age of Persian pop music did not last very long, though, and was banned within Iran after the 1979 revolution and many of the artists fled to other countries. In Iran, anything that was of Western influence was banned or destroyed. Due to this fact, records from this period difficult to find, and so is any information about the artists.
The only information I was able to find about Zia, is from the Iranian.com website, where there are some pictures, including three other records the he recorded.
Catalog number IR-2003 on Ahang Rooz (which means “Song Of The Day”) of Iran. No release date given.
Filed under: Iran

♬ Marcella
The Black Cats were from Iran, which is about the last place you would think to find a James Brown cover…
In summer of 1941 Britain and the USSR invaded Iran to prevent Iran from allying with the Axis powers. The Allies occupied Iran, securing a supply line to Russia, Iran’s petroleum infrastructure, and forced the Shah to abdicate in favor of his son, Mohammad Reza Pahlavi. In 1951, a nationalist politician, Dr. Mohammed Mossadegh rose to prominence in Iran and was elected Prime Minister. As Prime Minister, Mossadegh became enormously popular in Iran by nationalizing the Anglo-Iranian Oil Company (later British Petroleum, BP) which controlled the country’s oil reserves. In response, Britain embargoed Iranian oil and began plotting to depose Mossadegh. Members of the British Intelligence Service invited the United States to join them, convincing U.S. President Eisenhower that Mossadegh was reliant on the Tudeh (Communist) Party to stay in power. In 1953, President Eisenhower authorized Operation Ajax, and the CIA took the lead in overthrowing Mossadegh and supporting a U.S.-friendly monarch.
The CIA faced many setbacks, but the covert operation soon went into full swing, conducted from the U.S. Embassy in Tehran under the leadership of Kermit Roosevelt, Jr. Iranians were hired to protest Mossadegh and fight pro-Mossadegh demonstrators. Anti- and pro-monarchy protestors violently clashed in the streets, leaving almost three hundred dead. The operation was successful in triggering a coup, and within days, pro-Shah tanks stormed the capital and bombarded the Prime Minister’s residence. Mossadegh surrendered, and was arrested on 19 August 1953. He was tried for treason, and sentenced to three years in prison.
Mohammad Reza Pahlavi returned to power greatly strengthened and his rule became increasingly autocratic in the following years. With strong support from the U.S. and U.K., the Shah further modernized Iranian industry, but simultaneously crushed all forms of political opposition with his intelligence agency, SAVAK. Ayatollah Ruhollah Khomeini became an active critic of the Shah’s White Revolution and publicly denounced the government. Khomeini, who was popular in religious circles, was arrested and imprisoned for 18 months. After his release in 1964, Khomeini publicly criticized the United States government. The Shah was persuaded to send him into exile by General Hassan Pakravan. Khomeini was sent first to Turkey, then to Iraq and finally to France. While in exile, he continued to denounce the Shah.
During this time, Iran had a more openness to the West. But this was short lived. In 1979, following the Islamic Revolution, Khomeini came to power and anything that was of Western influence was banned or destroyed. Due to this fact, not only are records from this period difficult to find, but so is any information about the artists. Many of the artists fled the country, some of them (like the Black Cats) relocated to America.
Shahram Shabpareh started out in The Rebels 5 (who later changed their name to The Rebel Kings, then to just The Rebels…). I believe that he still plays with the band today.
I do not know the catalog number for the Iranian pressing (for the cover seen above)… But for the Turkish pressing, the catalog number is 40019 on S&S Records. No Release date listed.
Filed under: Iran

Manouchehr is from Iran. I have not been able to find any information about him, except that his last name is either Sakhai or Sakhaie…
Unfourtunately, when Farsi is translated into English… You tend to get many different variations depending on who translated the text. For instance, I have seen multiple different spellings on the name Kourosh Yaghmaie (Yaghamaie, Yaghmayee, Yaghmaee…) as well as two totally different spellings for The Remarkables (Aajubehaa and Ojoobeha).
Thanks to Arash who runs a very informative blog on Iranian music on MySpace called Fars Funk. Keep an eye out for his compilation “Pomegranates”, which is to be released on the B-Music label.
Catalog number SARE-1045 on Ahang Rooz (which means “Song Of The Day”) of Iran, no release date given.
Filed under: Iran

This song, which title translates into “Hey Girl”, was recorded with the band Golden Ring.
Born Aref Arefkia, he introduced Western melodies with romantic lyrics to Iran in the 1960’s at a time when the only kind of popular music was in “Tasnif” style. Aref was one of the pioneers of this trend. This style was quite popular among the youth, so much that at the age of 21 he was invited to appear and sing on the Iranian National Television.
His first hit was “Daryacheye Noor” which is still popular among most Iranians to this day. Aref was also a very popular singer for movie soundtracks. His songs were heard on numerous Iranian films of the 1960’s & early 1970’s among which “Gholam Gandarm” and “Soltan-e Ghalbha” are the most famous. He also appeared in six different musical films.
Aref received many awards, one of which was granted to him by the Shah himself. Aref received the Highest Cultural Imperial Medallion from the Shah for singing at the Asian Games of 1974 in Iran. In this concert with Tehran’s Philharmonic Orchestra, Aref sang in front of 100,000 Iranians and in the presence of many International state officials and dignitaries. Aref performed his first concert out of Iran in New York City in Madison Square to commemorate the 200th anniversary of the American Independence.
Aref and his family left Iran in 1979, following the Islamic revolution. He first lived in London for a period of 3 years, then moved to Los Angeles, California.
Thanks to Delaram Koushyar for translating the Farsi for me.
Catalog number C – 2126 for MonoGram Records of Iran. No release date listed.

