Filed under: Togo
During the years that they were active, Togo’s Orchestre Abass only released five singles. With the three additional unreleased tracks that are on Analog Africa’s “De Bassari Togo” LP, that is a total of 13 songs they recorded. – and most of them are killer. – especially the songs that were released on Polydor of Ghana.
The band was led by Malam Issa Abass who played guitar and organ. This song – which is the B side to “Honan” – is led by one of the band’s songwriters Thon A. Komlan.
Catalog number DC N° 2 on Disques Chic of Dahomey – now Benin. No release date listed.
Filed under: Chile
♬ Amarte Amarte Una Vez Mas / No Me Marcharé
I first became aware of Sergio Del Rio y Su Conjunto on the Sublime Frequencies release “Latinamericarpet: Exploring the Vinyl Warp of Latin American Psychedelia Vol. 1”. Given my love of steel guitar music – especially music that is neither County nor Hawaiian – I knew I had to track this record down.
But, the only thing harder than finding this record is finding any information about it. There is no information on the record sleeve. And, to the best of my knowledge this appears to be their only release. If you have any further information about these artists or anything else about this recording, please leave it in the comment section below.
Catalog number LDC-36837 on Odeon of Chile, released 1973.
Filed under: Afghanistan
♬ Tu Adjab Balaee / تو هجب بلائی
Muhammed Zahir Howaida / ظاهر هویدا was born in the Waras district of Afghanistan on February 28th, 1945.
Upon graduating high school, Zahir attended the Institute of Theatre and Arts of Kabul and joined the Kabul Armature Orchestra, He earned a scholarship to learn operatic and eastern classical music at Moscow State Tchaikovsky Conservatory in Moscow, Russia in 1966. After leaving Moscow in 1972, Zahir spend time in Tehran, Iran. There, he performed the song “Kamar Bareek-e-Man” / “کمر باریک من” which became an instant hit in that country.
Many of Howaida’s songs are political in nature and anti-establishment. He often spoke out against the monarchy and the first president of the Afghan republic, Mohammad Daoud Khan / محمد داود خان. After the fall of the republic of Afghanistan into the hands of the Marxist communist regime, Howaida found many opportunities on National Television and Radio Kabul. He recorded most of his songs during this tenure, hosting a variety of shows on both mediums. After the fall of the communist government, Zahir and his family fled to Hamburg, Germany. He passed away on March 5th, 2012.
Catalog number ۲۸۳ on Pars Record of Iran. No releases date listed.
Filed under: Bhutan
♬ 1.25 NU – Bhutan History (English)
♬ 3 NU – a) Royal Bhutan Anthem b) Bhutan History (Bhutanese) c) Folk Song (No. 1)
♬ 9 NU – a) Bhutan History (English) b) Folk Song (No. 1) c) Folk Song (No. 2)
♬ 10 CH – Bhutan History (Bhutanese)
Whereas the items displayed above may look like records – and they will play on a turntable – they are actually postage stamps from the Kingdom of Bhutan / འབྲུག་རྒྱལ་ཁབ.
The story of these stamps starts in Pittsburgh, PA. That is where a man by the name of Burt Kerr Todd was born. Years later, while attending Oxford University, he befriended Ashi Kesang Choden-Dorfi, the future queen of Bhutan. In 1951, Choden-Dorfi invited Todd to Bhutan for her wedding to King Jigme Dorji-Wangchuck. There were no airfields in Bhutan, and few roads, so Todd had to travel much of the way from India on foot and horseback. His account of the journey appeared in the December 1952 issue of National Geographic magazine. He claimed to be the first American to visit Bhutan, but that cannot be verified.
During his visit, Todd was asked by the Bhutanese authorities to explore the printing of their own postage stamps and joining the Universal Postal Union. The Bhutan stamp program was set up specifically to raise money for the improvement of Bhutan’s infrastructure after the country was refused a loan from the World Bank. Todd set up the Bhutan Stamp Agency in Nassau, Bahamas. He had little grasp of how stamps were marketed through the philatelic trade and therefore relied on unusual designs to attract publicity. At first ignored by many collectors, some early Todd stamps have become cult items.
In 1966, there was a series of triangular stamps featuring the yeti, the Himalayas’ fabled abominable snowman. In 1967 came a set of 3D stamps on the theme of the space exploration. Other successful issues included a set of Buddhist banners printed on silk, a set of traditional sculptures die-stamped in plastic, perfumed stamps and stamps made out of steel foil. In 1972, Todd got the idea to make “talking stamps”. These tiny records – possibly the smallest vinyl records that can still be played with a stylus – have an adhesive backside to affix to either a letter to postcard.
Although there is no information about the performers on these recordings, apparently Burt Todd is the person doing the English narration of the Bhutanese history.
Released 1973 by the Bhutan Stamp Agency of the Royal Government of Bhutan.
Filed under: Madagascar
♬ Kamo Aho
Simon Randria recorded five singles for the Malagasy record label Discomad during the 1970s.
If you have any further information about these artists or anything else about this recording, please leave it in the comment section below.
Catalog number 466 721 in Discomad Records of Madagascar, released 1975.
Filed under: Turkey
Born on March 1, 1938, in Istanbul, Önder Bali studied at the Istanbul Conservatory and started his professional music career in 1961 by playing the clarinet in the Istanbul City Orchestra. Later, he played wind instruments in the orchestras of Erol Büyükburç, Ertan Anapa, Şevket Uğurluer and Yalçın Ateş.
In 1969, he formed the Önder Bali 4. He played organ and clarinet, Zafer Dilek on guitar, Haluk Hancı of Mavi Çocuklar on bass and Erdal Gürel on drums. Between 1970 and 1973, they recorded four singles before the quartet went their separate ways and Zafer Dilek starting his solo career.
Catalog number YCA-019 on Yonca Records of Turkey, released 1970.
Filed under: Malaysia
Hussain Marican and Betty Ismail were from Malaysia. Hussain Marican recorded at least 16 singles and an album. Betty Ismail released 7 singles. They released two singles together. And that is all of the information I could find.
If you have any further information about these artists or anything else about this recording, please leave it in the comment section below.
Catalog number RE 121070 Royel (sic) Record of Malaysia.
Filed under: Pakistan
♬ A Song Produced on The Occasion of The Islamic Summit Lahore February 1974 Orchestra Version
Sohail Rana should need no introduction. I have covered him once before.
This record was produced by the Pakistan Television Corporation for the second Islamic Summit – which is a principal organ of the Organisation of Islamic Cooperation focused on formulation, development, and implementation of decisions made by 57 member states.
Catalog number EDKA 20057 on Angel Records, released 1974.
Filed under: Ethiopia
Muluken Melesse was born in Gojjam, a province in northern Ethiopia. After traveling with his uncle at the age of six, he settled in Addis Ababa. He was just 12 when he began his singing career. He recorded his first single for Amha Records with Girma Bèyènè in 1972. He would go on to release six more singles and at least six albums before giving up music to devote himself in the Pentecostal Church.
Catalog number Catalog number AE 440 on Amha Records of Ethiopia, released 1972.
Filed under: Uruguay
El Comité were from Uruguay. They releases one single before Miguel Livichich joined the band, and they changed their name to Miguel y el Comité. They went on to record three more singles and one album. The album – “Para Hacer Música, Para Hacer…” – was reissued in 2010.
This song from their first single is a cover of “Pass the Hatchet” originally by Roger & The Gypsies.
Catalog number 6917 on Microfon of Argentina. The version posted is the Colombian pressing.
Radiodiffusion Internasionaal Annexe 